đ€She’s Powerful Trouble
đ€Series: The Foul & Fair Series (book #1)
đ€Author: Taylor Hartley
đ€Publisher: Parliament House
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MASSACHUSETTS, JULY 2003
The two women dance cautiously around the dead.
âThe lights.â Mother Mol grabs Dahliaâs arm as they creep further inside the hospital. âShe
even blew out the lights.â
They inch through the darkness, clinging to each other out of necessity more than fear,
moving carefully around the bodies. The light from the full moon filters through the windows, casting long shadows along the walls. A man in a tweed jacket lies flat on his back in front of the double doors, the muscles in his face relaxed so he looks like heâs smiling. In the cafeÌ nearby, the steam wand from the espresso machine screams. The outline of the barista drapes over the counter, and beneath her, another body lies curled like a sleeping child. Entire families slump against each other in the waiting rooms. The nurse behind the admit desk stares straight up at the ceiling, seeing nothing.
The women expected the usual two corpses. Nothing like this.
âWe should leave, Sister,â Mol says. âThe power to do something like this…the girlâs evil.â âWhat about ancient duty and dying breeds?â Dahlia tenses beside her. âIf we donât protect
her, who will?â
âShe isnât like us.â The grip on her arm tightens. âLook around you, child.â
âIâm not a child anymore, Mother Mol,â Dahlia hisses. âBut when you found me all those
years ago, do you remember what you told me? You said I could fix the evil things Iâd done. And this girl, she deserves that same chance, donât you think?â
That fact is written on Dahliaâs bones. Pushing past Mol, she closes her eyes and lets the magic wake inside her, lets it pulse and spiral through the air, searching.
âWhere are you, lady?â The words come out of her mouth and surprise her.
Mother Mol huffs beside her. âNovices.â
âThere.â
Dahlia feels the babyâs fear well up inside her own body: how dark everything is, and how
lonely. Sheâs close, on the second floor maybe. The elevator on the far wall doesnât work; the girlâs short-circuited the entire building. Dahlia cocks her head at Mol, and together they head toward the staircase at the end of the hall. They tiptoe around the nurses and doctors who lie sprawled on the steps.
At the top of the stairs, Dahlia hears it: a loud, enchanting wail. Zigzagging around more corpses, she races toward the sound. Sheâs not sure what it is, only that sheâs desperate to hold that little girl, see her and know that maybe the Covenâs not doomed after all.
The baby lies in the room at the end of the hall. With the curtains drawn closed, itâs impossible to see anything, so Dahlia flicks her wrist, and the fabric draws apart to let the moonlight in.
The childâs father lies draped over the foot of the bed, hugging his wifeâs feet. Thereâs a look of joy on his ebony face and tears of blood in his eyes.
He never knew he was dying.
The motherâs eyes are closed, neck bent low toward the infant cradled in her arms. Dahlia feels the sob sitting in her chest and lets it go. She thought this part would be easy, sheâd heard about it so many times. But this mother wanted so badly to kiss her beautiful daughter, who cries like she has four lungs instead of two, and it doesnât make sense. Dahlia bends down slowly and touches her lips to the motherâs forehead.
âRest well,â she says, pressing her forehead against the womanâs. Her skin is cold. âWeâll take care of her.â
She hears Mol moving behind her as she bends her knees and takes the child in her arms.
âSister, we cannot take her with us,â Mol says. Itâs the first time Dahliaâs ever heard her frightened. âIâve never seen this kind of carnage before, and Iâve seen terrible things. This isnât natural. This child is our end. I know it.â
âWhy would nature give us something we donât need?â Dahlia asks, eyes fixed on the girl. Her grey eyes spark in the light. âIf we let her die, we violate every law we swear to live by, donât we? I canât do that again. I wonât.â
âShe could kill us all,â Mol says. âThereâs no way to know what sheâs capable of…â
Dahlia looks into the girlâs face, and the baby hiccups and turns her face away. Dahlia steadies herself and looks back at Mol just as the sirens start to blare in the distance.
âUnless we take her with us.â
**
NORTH CAROLINA, 2019
Mother Mol started telling me the story of my birth when I was like four. I blew out my birthday candles, and then she just hit me with that little nugget of knowledge. She wanted to ensure I knew that Iâm the dark, evil force that might just kill us all.
âThereâs only ever been one other witch born with a power like yours, and she nearly destroyed the Coven,â she said. âSo, you must remain vigilant.â
And that was it, the end of the story.
Then when I was seven, I met that witch face-to-face. I mean, not really, because sheâs like super dead, but pretty much. We were in the Gathering Room, just me and Airi and Amana practicing with Mother Calista, trying to levitate books, when I suddenly felt a freaking pipe organ going off inside my chest, and then the entire room evaporated.
This darkness swallowed me, and I was falling, falling through total and complete nothing. Then, I slammed into the ground, and all I could see was a woman, red hair billowing around her like we were underwater or in some kind of fluid dimension or something. Her green eyes flashed, and her grey gown flowed behind her as she walked toward me. As she stooped down and brought her face to mine, her name bloomed in my mind: Eurydice.
And then she spoke, and her voice echoed through my head so loudly my ears rang for actual days. Her words sounded like smoke.
âThe Earth shall shroud in shadow. The dead shall rise again. In Wicker Creek, two lovers meet, and the future shall begin.â
She looked at me with this smile on her face, and I felt my magic curdle. I felt it bubble in my veins, like she hadnât just dropped a stupid nursery rhyme in my lap, but instead, set off a toxin that turned me into a nuclear weapon.
Sister Dahlia and Mother Calista (total space cadet, by the way, but she can definitely see the future), said Iâd been âcalled,â said the whole freaky vision thing meant there was some kind of destiny waiting for me in this Wicker Creek place that could âchange our world forever.â
But Mol wouldnât let me go, even after Dahlia begged her.
âIf a witch doesnât fulfill her calling, nature makes the world pay for it,â she told her, amber eyes blazing. âEverything around Mariah will start to sour, you know that!â
âIf itâs a message from Eurydice, itâs better not to listen,â Mol insisted. âBesides, we donât even know what kind of beginning she means. Itâs far too dangerous.â
Then I walked down for breakfast the next morning and nearly set the house on fire because I short-circuited everything. And later that week when I practiced levitating again, the books swirled around the room like they were caught up in this violent cyclone and whacked Airi straight across the face. Dahlia said it was magic lashing out, the universe ramping up to tip us right over the edge because we refused to listen to it.
Mol finally let me go to Wicker Creek when all the windows in the greenhouse shattered because I dared to open the freaking door. She made Dahlia come with me as my Keeper, to better train me on how to handle my magical shit…and to ensure I keep it hidden from humans, because thereâs never been a good time to be an actual witch in this world.
In ten years, Iâve only lost control once. And if you knew everything about my magic…well, youâd be pretty impressed by that, actually.
Mol reminds me Iâm dangerous every year when we go back to the Coven for Solstice Gatherings. She swears if I donât fight like hell to find the light in my magic, Iâll swallow the world. She says power like mineâs way too unpredictable to stay hidden for long.
âIf you canât control yourself, I will come collect you.â Mol growled that at me in eighth grade…right after everything went down in the woods with Finn and Shelley. âAnd I will do whatever it takes to make sure you do not threaten this world.â
Itâs why I donât tell her about Eurydiceâs voice and the way it creeps into my dreams sometimes. Itâs why I donât tell her about the way my magic tore through him and how I thought heâd die right there, right then, if I didnât pull him back from the edge I felt him tumbling toward.
She acts like I enjoy being a threat to the living world. But my whole life, Iâve only ever wanted to be one thing: Good.
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